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Tomatoes & Snail
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
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Posts mit dem Label Series werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Series werden angezeigt. Alle Posts anzeigen
Onions
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Onions
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
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fresh Peas
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fresh Peas
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
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Radish & Garlic
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Radish & Garlic
- Page 2 of my new sketchbook project:
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
COLORS: DANIEL SMITH extra fine watercolors
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The Garden Gate
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The Garden Gate
- Page 1 of my new sketchbook project:
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
COLORS: DANIEL SMITH extra fine watercolors
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Light Tomorrow with Today!
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Light Tomorrow with Today!
- the last Page (20) in my 2025 Christmas Sketchbooks -
SIZE: 14,8 x 21 cm
PAPER: CANSON® SAUNDERS WATERFORD® Art Book 300g/m² cold pressed
COLORS: DANIEL SMITH, WINSOR & NEWTON WATERCOLORS
Light tomorrow with today!
- Elizabeth Barrett Browning
It was such a great joy to create this project and share it with you. Here's the complete sketchbook as a small film.
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The coastline of Fuerteventura
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The coastline of Fuerteventura
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH watercolors
2025 © ISABELLA KRAMER
find me on INSTAGRAM
I couldn't say how much I miss this island...
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somewhere on Fuerteventura - 1
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somewhere on Fuerteventura
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: ARCHES COLD PRESSED 300 g/m²
COLORS: ROCKWELL CANADA watercolors
2025 © ISABELLA KRAMER
find me on INSTAGRAM
I couldn't say how much I miss this island...
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Jane Austen's scenarios - Liz on the top of the world
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Jane Austen's scenarios -
Liz on the top of the world
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: ARCHES COLD PRESSED 300 g/m²
2025 © ISABELLA KRAMER
find me on INSTAGRAM
The iconic cliffs featured in the 2005 film Pride & Prejudice are located at Stanage Edge in the Peak District National Park, Derbyshire, England. This impressive gritstone edge is where Keira Knightley’s Elizabeth Bennet stands, gazing out at the landscape and reflecting on her feelings for Mr. Darcy in one of the film’s most memorable scenes.
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Jane Austen's scenarios - Edward and Elinor
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Jane Austen's scenarios
Edward and Elinor
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: SAUNDERS WATERFORD ROUGH 425 g/m²
2025 © ISABELLA KRAMER
find me on INSTAGRAM
The whole world is celebrating Jane Austen's 250th Birthday, and so I do. I decided to paint a series about her wonderful stories, which I have enjoyed in several film versions. The third painting, a scene with Elinor Dashwood and Edward Ferrars from the film „Sense and Sensibility“
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Jane Austen's scenarios - Marianne at the Sea
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Jane Austen's scenarios
Marianne at the Sea
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: SAUNDERS WATERFORD ROUGH 425 g/m²
2025 © ISABELLA KRAMER
find me on INSTAGRAM
The whole world is celebrating Jane Austen's 250th Birthday, and so I do. I decided to paint a series about her wonderful stories, which I have enjoyed in several film versions. This second painting, a scene with Marianne Dashwood sitting at the seaside from the film "Sense and Sensibility" is inspired by Blanca Álvarez Sanchez lovely tutorial on Patreon.
Painting wet-in-wet is very challenging for me at any time, and I struggle with this technique repeatedly.
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Jane Austen's scenarios - Mr. Darcy's morning walk
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Jane Austen's scenarios
Mr. Darcy's morning walk
SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: SAUNDERS WATERFORD ROUGH 425 g/m²
2025 © ISABELLA KRAMER
find me on INSTAGRAM
The whole world is celebrating Jane Austen's 250th Birthday, and so I do. I decided to paint a series about her wonderful stories, which I have enjoyed in several film versions. This first painting, a famous scenery from the film "Pride and Prejudice" is inspired by Blanca Álvarez Sanchez lovely tutorial on Patreon.
Painting wet-in-wet is very challenging for me at any time.
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Rotkelchen im Winter - Robin in Winter
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Rotkelchen im Winter
Robin in Winter
SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND CLAYBORD 3 mm
COLORS: DANIEL SMITH watercolors
2025 © ISABELLA KRAMER
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Children's dream - little pilot
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Children's dreams - little pilot
SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND AQUABORD 3 mm
COLORS: DANIEL SMITH + SENNELIER
2024 © ISABELLA KRAMER
This is the 2nd painting for a my series Children's dreams.
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Was so in der Nordsee lebt 3 - Schweinswal
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Was so in der Nordsee lebt -
Schweinswale (Phocoenidae)
Schweinswale (Phocoenidae)
SIZE: 15,7 in. x 15,7 in. - 40 x 40 cm
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
2023 © ISABELLA KRAMER
find me on INSTAGRAM
....und es geht weiter mit meiner Nordseetier Serie! Schweinswale haben es nicht leicht in unseren beiden Norddeutschen Meeren und ihre Bestände sind durch den Menschen und Umwelteinflüsse stark bedroht. Es sind KEINE Delphine, sondern kleine Wale. Sie sind scheu und kaum erforscht.
Permalink: Ecomare - Michael Jose Bruinvissen
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Was so in der Nordsee lebt 2 - Garnele
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Was so in der Nordsee lebt -
NordseeGarnele (Crangon crangon)
SIZE: 15,7 in. x 15,7 in. - 40 x 40 cm
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
2023 © ISABELLA KRAMER
find me on INSTAGRAM
....und es geht weiter mit meiner Nordseetier Serie! Nordseekrabben sind mindestens ebenso lecker wie Schollen, drum ist Platz 2 ebenso wohlverdient.
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Was so in der Nordsee lebt 1 - Nordsee Scholle
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Was so in der Nordsee lebt -
Scholle (Pleuronectidae) oder Goldbutt
SIZE: 15,7 in. x 15,7 in. - 40 x 40 cm
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²
COLORS: DANIEL SMITH and SENNELIER WATERCOLORS
2023 © ISABELLA KRAMER
find me on INSTAGRAM
That’s it, the first animal for my newest series “North Sea Animals” is ready.
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HafenCity Hamburg 2
HafenCity Hamburg 2
SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND artist panel smooth 3 mm
COLORS: QOR watercolors
2023 © ISABELLA KRAMER
The second painting for my small series (here you can see No.1 of the series), inspired by my own photographs taken at the wonderful and very inspiring HafenCity Hamburg. Reflections, maritime symbols, and signs everywhere, modern and very old buildings side by side. Artist's heaven pure! And there’s another story in Hamburg the “fusion” between the love of my life and I started exactly there. So it’s logical that we both are side by side in this painting too.
This one is my submission for #79 FUSION Challenge at @aligator_watercolor_community.
Children's dreams - Snowdrops Girl
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Children dreams - Snowdrops Girl
SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND AQUABORD 3 mm
COLORS: DANIEL SMITH + SENNELIER
2023 © ISABELLA KRAMER
My contribution to @aligator_watercolor_community challenge #77: FAVORITE OF 2022. That was an easy decision: it must be a #portrait, it must be painted with Opera Pink and Aussie Red Gold, surely my 2022 most loved colors and it must be done on #Aquabord. I have learned so much and I'm deeply grateful to be a part of this wonderful painting community.
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Autumn Still Life - one
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Autumn Still Life - one
SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND GESSOBORD 3 mm
COLORS: DANIEL SMITH + SENNELIER
2022 © ISABELLA KRAMER
My plan was to paint a series with some autumnal still lives in a small format and I've started with Ampersand's gessobord. Hmm, it's a miracle with this one, because I've no idea if I've put a watercolor ground on it or not. And it looks like not, but the watercolors stayed from the first wash perfectly on it. Okay, you must be very careful with corrections, otherwise it's three steps forward and two backwards, but even salt on the wet pigments works great. So I took a gessobord for No. 2 too, but it doesn't work. The colors beaded off and absolutely didn't want to stick to the gessobord. I had to put some watercolor ground on it. I'll show you the result in my next post.
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