Posts mit dem Label Eicheln werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Eicheln werden angezeigt. Alle Posts anzeigen

Celebrating Autumn

 .



 Celebrating Autumn

SIZE: 5,5  in. x 5,5 in. - 20 x 20 cm
PAPER: YASUTOMO STONEPAPER 150 g/m²
COLORS: DANIEL SMITH + WINSOR & NEWTON WATERCOLORS

2025 © ISABELLA KRAMER

Find me on INSTAGRAM





Every year, I love to celebrate autumn with its vibrant impressions. As there are all kinds of leaves, mushrooms, hedgehogs 🦔🍄🍂🧡🍁🤎🍄‍🟫🐿️🐌 ….



.

Bei den Eichelelfen

 .




Bei den Eichelelfen



SIZE: 15 in. x 22 in. - 38 x 28 cm (quarter sheet)
PAPER: BOCKINGFORD RKP FatPad ROUGH 425 g/m²
COLORS: DANIEL SMITH WATERCOLORS

2024 © ISABELLA KRAMER





.find me on INSTAGRAM

Zurzeit bin ich voll und ganz mit der Illustration und Planung meines neuen Gedichtsbands beschäftigt.  Diese Illustration ist für das lustige Herbstgedicht Bei den Eichelelfen. Bislang waren meine Kindergedichte ausschließlich in der  Kinder-Gedichte-Welt zu lesen, nun auch hier -> .



Enthalten in meinem ersten Kinder-Gedichte-Buch: Kinder-Gedichte-Welt  

erhältlich als Hardcover und als Softcover via Blurb oder über mich -> Kontaktformular  



Autumn Love

 .



Autumn Love

SIZE: 14,8 cm x 42 cm
PAPER: 
BOCKINGFORD RKB  FatPad ROUGH 425g/m² (200lb)
COLOURS: Daniel Smith Watercolors 


2023 © ISABELLA KRAMER


find me on INSTAGRAM


Inspired by @vanree_art wonderful autumnal painting, I’d paint my version of an oak branch with acorns in Autumn.




.

Autumn Still Life - one

 .



Autumn Still Life - one

SIZE: 20 cm x 20 cm - 5,5" x 5,5"
PAINTING GROUND: AMPERSAND GESSOBORD 3 mm
COLORS: DANIEL SMITH + SENNELIER
2022 © ISABELLA KRAMER



find me on INSTAGRAM



My plan was to paint a series with some autumnal still lives in a small format and I've started with Ampersand's gessobord. Hmm, it's a miracle with this one, because I've no idea if I've put a watercolor ground on it or not. And it looks like not, but the watercolors stayed from the first wash perfectly on it. Okay, you must be very careful with corrections, otherwise it's three steps forward and two backwards, but even salt on the wet pigments works great. So I took a gessobord for No. 2 too, but it doesn't work. The colors beaded off and absolutely didn't want to stick to the gessobord. I had to put some watercolor ground on it. I'll show you the result in my next post. 





.