The Observer

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THE OBSERVER

- pure watercolors -  

SIZE:  16 in. x 12 in. - 41 x 31 cm 

PAPER: ARCHES ROUGH 300 g/m²

2019 © ISABELLA KRAMER

such questions 

linger behind these eyes

thoughts wander

©magyar

Cats are surely one of my favorite subjects to paint and they are such gorgeous mediums to study all watercolor techniques, specially wet-on-wet technique. This is our new neighbor Burma cat and she's an absolutely beauty with her stunning eyes, so I couldn't resist. 

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March Garden

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MARCH GARDEN 

SIZE:  15 in. x 22 in. - 38 x 56 cm (half sheet)

PAPER: BOCKINGFORD ROUGH 300 g/m²

2019 © ISABELLA KRAMER

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Seals - for June

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 SEALS - for JUNE

SIZE: 15 in. x 15 in. - 38 x 38 cm
PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²

2019 © ISABELLA KRAMER

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Now I've already 9 work for my animal series with loose backgrounds: 
I have a bunny 4U- for March, Duckling - for April,  Barn Owl - for October, Little Hedgehog - for November, Diving Ice bear - for January,  Northern Cardinal - for December, Ravens in Flight - for February, Fox - for May, Seals - for June

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Westerheversand

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WESTERHEVERSAND  

SIZE:  14,9 in. x 12 in. - 38 x 28 cm 

PAPER: FABRIANO 300 g/m²

WATERCOLORS: DANIEL SMITH  - WINSOR & NEWTON - MIJELLO - REMBRANDT

2019 © ISABELLA KRAMER

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Ornamental Cherry - first signs of Spring

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ORNAMENTAL CHERRY 
#Running with Brushes

SIZE: 10 cm x 15 cm - 4" x 6"

PAPER: CLAIREFONTAINE 300g/m² (140lb) COLD PRESSED 

2019 © ISABELLA KRAMER

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The two bundles of fluff

THE TWO BUNDLES OF FLUFF

- watercolors and ink- 

SIZE:  16 in. x 12 in. - 41 x 31 cm 

PAPER: ARCHES ROUGH 300 g/m²

2019 © ISABELLA KRAMER

Today I've had a wet-on-wet technique studio day. I need much more practice with it and every time I try this, I discover that I'm not patient enough and destroy good first washes. Waiting for the right moment of dryness on the paper is absolutely necessary. 

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Cosy Sunday

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Cosy Sunday 

SIZE:  16 in. x 12 in. - 41 x 31 cm 

PAPER: ARCHES ROUGH 300 g/m²

WATERCOLORS: DANIEL SMITH  - WINSOR & NEWTON - MIJELLO

2019 © ISABELLA KRAMER

Today I've had a wet-on-wet technique studio day. I need much more practice with it and every time I try this, I discover that I'm not patient enough and destroy good first washes. Waiting for the right moment of dryness on the paper is absolutely necessary. 

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Saving Nemo - Clownfish Protection

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SAVING NEMO - CLOWNFISH PROTECTION

SIZE:  16 in. x 12 in. - 41 x 31 cm 

PAPER: DALER ROWNEY - THE LANGTON 425 g/m²

WATERCOLORS: DANIEL SMITH  - WINSOR & NEWTON - MIJELLO

2019 © ISABELLA KRAMER

 First let's talk about the title of this watercolor - SAVING NEMO - the massive consequences of the cute film FINDING NEMO are amongst other things are: 

"Over 1 million fish from the clownfish family are collected from the wild each year, causing significant population declines. Clownfish can be easily bred in captivity, so our solution is to supply stores with nursery bred fish. We also aim to educate consumers, and to lead scientific research focused on clownfish conservation.  ©www.savingemo.org"  

They need our help ... read more here SAVINGNEMO 

Second this is a new brand DALER & ROWNEY - THE LANGTON watercolor paper and it's really perfect with it's two different sides, perfect for wet in wet, but also wet on dry technics. 

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