little Raccoon - study

.

LITTLE RACCOON - STUDY 

 without any drawing 

SIZE: 22 x 27 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH

this is the first presentable result of my Raccoon Studies. I've never paint this cute animal before and I enjoy

it very much. They are such adorable animals!! 

. 

4 fresh lemons

.

4 FRESH LEMONS  

 watercolor without any drawing 

SIZE: 22  X 15 inch - 55 x 38 cm

PAPER: BOCKINGFORD ROUGH 300g/m² (140lb)

2016 © ISABELLA KRAMER

Let the sun come in!

.

LET THE SUN COME IN

 without any drawing 

SIZE: 19 cm X 28 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) Not

2016 © ISABELLA KRAMER

I'm still in love with this spring welcome flowers ... don't want to paint masterpieces, just having fun with pigment, water and paper

.

.

just a hint of Daffodils

.

JUST A HINT OF DAFFODILS

watercolor without any drawing 

SIZE: 15 in. x 15 in. - 38 x 38 cm

PAPER: GUARDI ARTISTICO - TORCHON 300 g/m²

2016 © ISABELLA KRAMER

Es ist ein sehr früher Zeitpunkt zum Aufhören, aber es gefällt mir so gut in diesem Stadium, dass es so bleiben soll. 

.

Welcome Snowdrops

.

WELCOME SNOWDROPS

 without any drawing 

SIZE: 19 cm X 28 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH

2016 © ISABELLA KRAMER

.

early spring welcome - Primroses

.

EARLY SPRING WELCOME - PRIMROSES  

 without any drawing 

SIZE: 22  X 15 inch - 55 x 38 cm

PAPER: BOCKINGFORD ROUGH 300g/m² (140lb)

2016 © ISABELLA KRAMER

.

Red Witch Hazel

.

RED WITCH HAZEL

 without any drawing 

SIZE: 16,4 cm X 42 cm

PAPER: BOCKINGFORD RKB FATPAD 300g/m² (140lb) ROUGH

2016 © ISABELLA KRAMER

since 12 years this gorgeous witch hazel blooms with all its beauty and optimism in my garden.

.

the lost purple Helleborus

.

WORK IN PROGRESS - PURPLE HELLEBORUS

 without any drawing 

SIZE: 19 cm X 28 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH

2016 © ISABELLA KRAMER

Let me tell you a small story about a lost work - this was the point (1. wash and after adding cling film) I'd to stop and wait. I haven't and lost the painting ...  come on Mr. Beckett ...

Ever tried. Ever failed. No matter. 

Try Again. Fail again. Fail better.

- Samuel Beckett

.

Marie-Christine's Teddy

.

MARIE-CHRISTINE'S TEDDY

 without any drawing 

SIZE: 38 cm X 28 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH

2016 © ISABELLA KRAMER

this post is linked with:

Aquarelle en Brenne Challenges de Peinture - Painting Challenge No.4

.

new homepage

einfach auf das Bild klicken und schon seit Ihr da. 

seit Monaten hatte ich daran gebastelt und immer war irgendetwas, was mir noch nicht so gefiel. Heute hat ich mir Ute Sturm einen guten Anstoß gegeben und ich habe mich doch noch einmal daran gemacht, einige Details zu überarbeiten. Es wird sich sicherlich noch eine Menge tun, aber fürs Erste bin ich zufrieden und halte sie für vorzeigbar. Danke dir, liebe Ute für den so bereichernden Austausch!!

Hier die Internetadresse zum Abspeichern :

www.isabellakramer-veredit.jimdo.com

.

For you my Valentine

.

FOR YOU MY VALENTINE

 without any drawing 

SIZE: 38 cm X 28 cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH


2016 © ISABELLA KRAMER

.

a small yellow poem

.

A SMALL YELLOW POEM

 without any drawing 

SIZE: 14,8 cm x 42 cm

PAPER: BOCKINGFORD RKB FATPAD 300g/m² (140lb) ROUGH

2016 © ISABELLA KRAMER

.

I had an eye on you

.

I HAD AN EYE ON YOU 

 without any drawing 

SIZE: 16X14cm

PAPER: BOCKINGFORD RKB FATPAD 425g/m² (200lb) ROUGH


2016 © ISABELLA KRAMER

I love to make these exercises and enjoy to have fun with my watercolors, brushes and all these beautiful white papers. I've so much ideas, but first at all - I love to play ... 

Hope you enjoy my lovely little owlet 

.

Hedgehogs - Mother and Son

.

MOTHER AND SON - 

 without any drawing 

SIZE: 22  X 15 inch - 55 x 38 cm

PAPER: BOCKINGFORD ROUGH 300g/m² (140lb)

2016 © ISABELLA KRAMER

.

Venice Fish Market

.

 VENICE FISH MARKET

SIZE: 14 in. x 20 in. - 36x 51 cm

PAPER: ARCHES GRAIN FIN 300 g/m²

2016 © ISABELLA KRAMER

Sure this is a year with Jean Haines studies and I love and enjoy these time more than I could say.
But sometimes I need a break and had to return to my studies with urban scenes and
people in action from 2014/2015 based and inspired by the masterfully work
of Alvaro Castagnet, Keiko Tanabe, David Taylor and Joseph Zbukvic etc. 

.